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Thread: Suggestions for gigs w/Player

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  1. #1

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    Quote Originally Posted by pdxdjazz View Post
    As a practice tool, the irb player is fantastic. As a substitute for musicians in live performance, it's always going to be lacking.
    )BOB
    Ha, Bob, you haven't gigged with me on Fender bass. I am probably lacking compared to the iReal Player

    But seriously, I don't dispute that a rhythm box can be an inflexible accompanist for a decent musician.

    My question is sort of the opposite. Will the average audience who's there for a Christmas party notice that it's a rhythm machine and throw things at me? I'm sure the Player has not been in thousands of gigs yet. But what about piano players who use, say, Band-In-A-Box? Does that go over okay?

    I probably worry too much. But there will be a number of friends at this particular party who I don't want to be kidded by for months on end afterwards.

  2. #2
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    Quote Originally Posted by boscotom View Post
    ....But what about piano players who use, say, Band-In-A-Box? Does that go over okay?
    I used to work live with a Roland keyboard many years ago where it provided all the rhythm things, bass, drums, brass stabs etc. I mainly used the more simple rhythms (meaning without the brass stuff, just basic bass and drums.) I also used it with acoustic piano. For the situation, it was easier to get people up and dancing or work in a reasonably lively cafe where an acoustic piano would have not been so easily heard. Having the backing certainly made it a different sound for that environment .... more suitable. They could not pay for additional musicians. In some venues there is no room for them (a grand piano taking up quite a bit of room on the stage.)
    I am not saying I liked using it, but it gave me more gigs (someone had to do them.) And it was quite nice to have a backdrop to float around. Now we have computers, BIAB ... and irb.

    House, Drums and Bass etc. work as new music genres ... mostly sequenced and quantized, but there are some tracks with lovely solos and grooves on Rhodes or sax on top, played by real players.

    The other thing related to your gig, it is a Christmas party, so there will be lots of noise, fun and excitement. I think your contribution is more likely to be appreciated in that context (or maybe ignored!) .... but it is not a concert! I think it will be a good chance to try it out, learn from the experience (you can always turn it off during the gig!) without most of the major problems you could be thinking of.
    Of course you do not have to use it all the time anyway. Read the crowd and be spontaneous in using it. Maybe approach it as being a highlight for a few tunes, if that makes it easier to ease into using it.

    I think you are lucky you play keyboards. Singers often have to use backing tracks (even for auditions!) and solo instrumentalists. At least you have the privilege of doing gigs just on your own without any audio tracks (and anyone else.)

  3. #3

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    Quote Originally Posted by dflat View Post
    ...it was easier to get people up and dancing or work [with a rhythm machine] in a reasonably lively cafe where an acoustic piano would have not been so easily heard. Having the backing certainly made it a different sound for that environment .... more suitable....The other thing related to your gig, it is a Christmas party, so there will be lots of noise, fun and excitement.
    Ah I have gone to the wise man on the mountain and he is dflat. Your points really struck me as the truths of my particular situation. It actually could be the best decision I make to use the Player. It is a holiday party where I'm only the piano guy in the corner, not a hushed, reverent solo concert at the local classical hall. The iReal Player is a method to fit my niche better and probably more pleasing to the crowd.

    Thank you all for such friendly helpful advice.

  4. #4
    Join Date
    Nov 2010
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    My experience with iReal Book's player in a gig setting was very positive.

    I'm a singer/guitarist, and I often bill myself as "The Eclectic Electric Jukebox", because I gig with a computer rig that allows me to do everything from Sinatra to Sabbath.

    All of my backing tracks are played "live" via a sequencer, feeding into virtual drum kits and racks of soft-synths and samplers. This is all on a Mac mini, which I have mounted on a portable carry-case along with the audio interface, etc. Heck, I even do all the vocal and guitar processing live via that computer.

    Anyway, my most recent gig was a three week run, 4 nights a week, at a venue in North Hollywood. For this gig, the jazz standards (and my originals written in the same style) were what was going over the best for that crowd.

    A few days before the last week of the run started, I stumbled across iReal Book in the app store. Customizable chord chart library? Love it! Fantastic. But what really got me was when I tried the player and it sounded good. (especially the bass... nice!)

    So, for my last week of the gig, I plugged my iPad into my mixer, adjusted the levels/eq, and used it for several songs each night.

    You know what? It fit right in with all of my own hand-crafted midi-based backing tracks. Actually, in some cases, it sounded a little better because the real players on the iReal Book player samples are better at their instruments than I.

    Bottom line is, it worked, the audience liked the sound (lots of positive comments, no negative ones), and to the ones who were interested in my setup, when they found out that some of the backing was being played in realtime from the iPad, they were stunned.

    Because that gig went so well, I now have some upcoming "jazz-standard only" gigs.

    And for jazz standards, I won't need a rig that can do all the horn parts to "Sledgehammer" or play hammond on "Whiter Shade of Pale". So the computer rig is going to stay at home, and my iPad will become "The Eclectic Jazz Trio" for the evening. lol Plus, if I feel like doing a song with a different jazz style from one night to the next, I'll have that freedom, which I didn't have with my hand-sequenced songs. VERY cool.

    In fact, because of this "minimization" that I'm going for, I found an old iPod touch lying around and set it up with AmpKit software. Now I'm so portable, it's almost ridiculous.


    Anyway, I have found that the iReal Book player is VERY viable for live situations.

  5. #5
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    Default Relevant post

    http://forums.irealbook.net/showpost...6&postcount=10
    Click Thread:... top right for the whole thread.

  6. #6

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    Thank you. Feeling better and better.

  7. #7
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    Nov 2010
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    YES!

    In one of my closets, I found a little old 30W Dean Markley K-15 (circa 1995), 6" speaker, tiny and light. Plugged in my iPad and the iReal Book player, and it sounds very clean, even at higher volumes. It even has enough bass response that the upright sounded good.

    This is PERFECT for an even SMALLER setup, sans mic and guitar amp, for when someone asks me to play some songs at a party or whatever.

    I'll just whip out the old nylon string, and use this little iPad/amp combo for my backing band, and sing and play away, "unplugged" style.

  8. #8

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    I bet that sounds nice together---the nylon strings and the Player through that set up. Have you gifted it live? What do people say?

  9. #9
    Join Date
    Nov 2010
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    Smile

    Quote Originally Posted by boscotom View Post
    I bet that sounds nice together---the nylon strings and the Player through that set up. Have you gifted it live? What do people say?
    Coincidentally, I posted that Thursday afternoon, and a couple of hours later, I was asked to bring my guitar to a party that night if I wanted.

    Perfect opportunity to do the "unplugged thing", and when I walked in with my guitar in one hand and the iPad and amp in the other, I jokingly said, "I bought the band with me."

    When I sing at play at a party, I usually like to keep it "low key". I've seen too many people who bring instruments to parties and just completely KILL the momentum by making a "performance" of it, where people feel like they HAVE to listen.

    But this little setup was perfect for that "cocktail party" volume and vibe. I kept it just loud enough so that people who wanted to listen, could, but quiet enough that conversation could continue for those who wanted to eat, drink, and talk.

    Another strategy I used was, I asked the host play some instrumental jazz trio stuff on the stereo for a bit, then once I was ready to play, the stereo went off, and I picked up where the stereo left off. This smooth transition helped make it "not a big deal" that I was playing.

    A side note: yes, that nylon string blended in nicely, and let me approach the songs with a little different flavor than usual. I think I've found that perfect "portable entertainment" rig that I can carry in two hands.

    Everyone had a great time, and there was a lot of talk about how the live music added a lot to the party. Also, a lot of people were singing along with the songs, so I would call my little iPad/practice-amp/guitar combo a success.

  10. #10

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    "gigged" (sorry)

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